Books and Catalogues
		2012: Catalogue, "New York, Singular Drawings: 11th Annual Drawing Invitational" at the Arkansas Arts Center (Little Rock, AR), Summer 2012, curated by Charlotta Kotik, Senior Curator Emerita of Contemporary Art at The Brooklyn Museum. My artworks: two Laid Line drawings and two medieval pattern pieces.
		2012: Catalogue, "On Silence" at the NYCAMS Gallery, partly in commemoration of John Cage's centenary.
		2009: Exhibition catalogue for "New York: New Drawings 1946-2007" (Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, 2009), in which two of my drawings were included and I composed catalogue entries for William Anastasi, Agnes Martin, and Marjorie Welisch.
		2006: Entry for one of four Agnes Martin obituary tracings ("Agnes Martin, The Los Angeles Times, 17 December 2004, II," tape on vellum, 17 x 14 inches, 2005) in the collection of Madeira Corporate Services (www.mcs.pt; online art catalogue at www.coleccaomcs.com), now housed at the Serralves Foundation in Oporto, Portugal. The print version, "Desenhos [drawings]: A-Z," was published in 2006, edited by collection curator Adriano Pedrosa.

	Articles and Reviews
		2013: Amy Barry, "Artists on the same page in Old Lyme Exhibit," The Day, 2/2/13, front-page story in the Arts/Weekend section (C1-2). To read it online (with one image only), go to http://www.theday.com/article/20130202/ENT16/302029986/0/Search.
		2012: Anna Kim writes about the four pieces I have in the "Art=Text=Art" exhibition, which started at the University of Richmond Art Museum in Fall 2011, and is at the Zimmerli Art Museum at Rutgers University through January 6, 2013.
		2011: "Art=Text=Art" review in the November/December 2011 issue of Art Papers.
		2011: "I Want Your Text" Style Weekly article on the "Art=Text=Art" exhibition at the University of Richmond art museum.
		2011: William Anastasi, online catalogue entry about my piece in the "Drawn/Taped/Burned: Abstraction on Paper" exhibition, Katonah Museum of Art, Katonah, New York, January-May 2011. For the online version, go to: http://www.aboutdrawing.org/drawntapedburned/?p=982.
		2010: ABC (Madrid weekly), article about an exhibition I was in at Galeria Astarte, "Papel(es)," which translates as "Papers" and "Paper Is."
		2009: Kunstforum, interview excerpt - collector and MoMA trustee Wynn Kramarsky talks about my work. Full article available at http://www.kunstforum.de/inhaltsverzeichnis2.asp?session=&band=196&artikel=
		2009: The Jewish Press, review of the Cultural Heritage Artists Project exhibition, at the John Slade Ely House in New Haven, CT. The article discusses the video I worked on with Shalom Gorewitz.
		2009: Zeek magazine says, "Karen Schiff contributed an insightful essay on our evolving relationship to art as we contemplate history." See the section below for a link to the catalogue essay, called "Elsewhere and Otherwise."
		2007: Taos News article about the Open Studio I held, and the work I was doing, while I was an Artist in Residence at the Harwood Museum of Art, Spring 2007.
		2007: Taos News, article about my Agnes Martin Obituary Project, during my residency at the Harwood Museum of Art, in Agnes Martin's adopted hometown of Taos, New Mexico, Spring 2007.
		2006: My artist's page at Jentel, a residency I did in Sheridan, WY in Summer 2006. Includes an image of a piece I was doing at the time.
		2006: Art New England, review of the "water marks" film I showed in the project room at the Kingston Gallery, Boston, during Mary Lang's exhibition of photographs, "Groundless."
		2006: artscope magazine, article (including an image) discussing the tree grate rubbing I had in the "Boston Young Contemporaries" exhibition.
		2004: Boston Globe, Cate McQuaid writes about my collages of pages from Shakespeare plays.
		2004: Weekly Dig, Boston, another review that mentions a book-page collage,

	Selected Website Listings
		2013: "Slow Reveal," article on Arne Glimcher's book, Agnes Martin: Paintings, Writings, Remembrances, in the June/July issue of Art in America.
		2013: "Beyond Thinking," an essay on the inevitability of the sensual in art, even amidst hyper-conceptual and hyper-sensory trends, in response to Nancy Princenthal's question, "Have words won?" in the March 2013 issue of the Brooklyn Rail.
		2013 (printed in February): "Agnes Martin, Under New Auspices," Art Journal 71:3 (Fall 2012), 121-25. My review of the only critical anthology about Agnes Martin in print (Agnes Martin, ed. Lynne Cooke and Karen Kelly, New Haven/New York: Yale/Dia, 2012). (For a pdf, click on the CAA icon to the left; to read the text online, go to http://artjournal.collegeart.org/?p=3354.)
		2012: An interview (including an audio clip) about my Laid Line drawings project, with collector Wynn Kramarsky and curator Rachel Nackman, on the occasion of the exhibition "Notations: Contemporary Drawing as Idea and Process" (at the Kemper Art Museum at Washington University in St. Louis, through January 7, 2013).
		2012: "Reading Into Things," an online discussion I conducted as part of my participation in the "Art=Text=Art" exhibition, now at the Zimmerli Art Museum at Rutgers University (September 2012 - January 2013). The discussion continues...log into Facebook to join in.
		2011: an essay I wrote, "The '=' in 'Art=Text=Art'," which is an adaptation of a gallery talk I gave at the University of Richmond Museum on 9/2/11, as part of an exhibition of drawings in which my work was included.
		2009: The Brooklyn Rail, my impressions of the "New York, New Drawings: 1946-2007" exhibition at the Museo de Arte Contemporáneo Esteban Vicente, in Segovia, Spain.
		2009: a catalogue essay I wrote, "Elsewhere and Otherwise: The Conceptual Strategy of the Cultural Heritage Artists Project" (pages 31-33 as numbered in the book; pages 33-35 of the pdf file), in conjunction with an exhibition at the John Slade Ely House, New Haven, CT, December 2009-January 2010. The book is available for purchase at: http://www.blurb.com/bookstore/detail/966866.
		2008: an article I wrote about a Gerhardt Richter painting hanging in a Bernini sculpture exhibition at the Fogg Museum at Harvard, online at bigredandshiny.com.
		2007: a reflection I wrote on New Yorker senior critic Peter Schjeldahl's lecture at Boston University, online at bigredandshiny.com.
		2007: a review I wrote about Roberta Paul's exhibition at Allston Skirt Gallery, Boston, online at bigredandshiny.com.
		2007: a review I wrote about Laurie Reid's exhibition of drawings at Steven Zevitas Gallery, Boston, online at bigredandshiny.com.
		2006: an article I wrote on two concurrent Eva Hesse exhibitions in New York, online at bigredandshiny.com.
		2006: a review I wrote about Abigail Child's film exhibition at the Radcliffe Institute at Harvard, online at bigredandshiny.com.